My parents were both griots.When I was very young, I watched my father play and my mother sing and I noted how my father taught my older brother to play the kora, but I was forbidden.
He challenges himself to create a brand of realistic expressionism he hopes to use as a bridge into the customarily circumspect contemporary art world. He has lived in California most of his life and studied painting at the Art Students League in New York.
Excerpt from the sensual love poem “Honey Suckle Kisses” by Synthia SAINT JAMES + Happy 50th Anniversary Synthia! – Find out more…
You were so stunningly radiant
yet so very real
when I first laid eyes on you
The soft light in the dimly lit room
highlighted and tenderly
embraced your face
like in an exquisite oil painting
from another period
time and place
The essence of the Renaissance
mixed with a touch
of the French Impressionist …
“Around 1966, I was bitten after hours by a standard poodle named Coco. My pediatrician had to make a house call to give me a tetanus shot. I wanted to marry Dr Sokoloff and faked sick all the time so he would have to examine me. I was three. He was James Coburn’s double. I’d seen “Ride Lonesome”; I already knew my future husband would be like a steak at The Palm, a Prime Porterhouse; rough-hewn on the outside, tender underneath.”
Susan Hayden is the Creator/Producer & Curator of the monthly, mixed-genre literary series, Library Girl, now in its 9thyear at the Ruskin Group Theatre in Santa Monica, CA. In 2015, she was presented with the Bruria Finkel/Artist In The Community Award by the Santa Monica Arts Commission for her “significant contributions to the energetic discourse within Santa Monica’s arts community.” Susan’s proudest achievement has been raising her son, singer-songwriter Mason Summit.
What is your all-time favorite piece of art? Back in 1968 after two years of college, I learned the history of my people and culture. Things that I didn’t learn in high school. In tribute to that, I did a silk screen called “My Name Is Black.”