by Janice Bremec Blum
“There’s a certain kind of classism in the art world.” Wray explains. “A lot of very contemporary art might not be so open to art that is narrative or illustrative. In the “Pink Manifesto” defining the philosophy of this show, the question about the controversy of different concepts of art is addressed clearly.
by Deborah Granger
Neon has been Michael’s medium of expression for nearly a decade. His work reflects a fascination with the symbols of language, technology, and their influence on popular culture which he transmutes into visual word games from his unconscious.
by Deborah Granger
Painting for Jennifer Pochinkski is a mysterious process. A figurative painter, she loves the paint itself. The application of the loaded brush has a sensuousness that has developed into her personal language, yet she still feels like a bystander to this internal world that seems to drive itself thru her unconscious mind.
by Deborah Granger
Garcia began his social activism at age sixteen, when his father sent him to work as an apprentice recruiter for a federal VISTA program funded by the Office of Economic Opportunity. Garcia’s job was to assist in the recruitment of high school aged children of agricultural workers from the rural communities of Colorado and to orient them to the real possibilities of achieving higher education.
by Deborah Granger
…The Abduction of Hernan Cortes: The New Mexico Cycle. The cycle explores the themes of abduction: of land, of self, and of alien abduction, and follows the lives of five New Mexican families from 1598 to present.