The lines, style, curves, and colors all blend to make good art and Brooklyn, New York native Frank Creaturo, Jr. has an extensive artistic career in developing his particular style that you can easily recognize.
He studied at the School of Industrial Art and the School of Art and Design in NYC. Frank has been recognized with countless awards, featured in many newspapers for his works, has had several one man shows and was even spotlighted on Eyewitness News in New York. Frankie has been a contributing artist here at TribeLA Magazine since day one and his work will regularly be featured here. Look for “In Living Color” on the cover of our premiere issue coming this fall.
Enjoy more stories plus fine art by Frankie Creaturo
Sounds and the City 020718 “Marianne’s dark eyes make worlds collide”
TribeLA Magazine applauds Santa Barbara’s musical moxie in weaving dense subject matter into a catchy audible experience. Check out the Acrostic Interview at TribeLA Magazine: https://tlamagazine.com/santabarbara-acrostic/
ART TODAY 020618 Penelope and Hiro: “They just looked so right together”
With the brush portraits, I strive to find character and convey a real sense of the person. The works on tools are more complex and allude to inner motivations and powerful emotions. They are intended to make you think.
ART TODAY 020518 Four ladies by Alexandra Dillon + Acrostic Interview starts today…
A native of Los Angeles, Alexandra Dillon received her B.A. in film from UCLA, then returned to her life-long passion for making art. Her love of Old Master painting led her to study classical realism in Florence, Italy, then New Orleans, LA, finally settling in Venice, CA.
FRIEZE Los Angeles, Paramount Pictures
Polavision by Susan Hayden – A captivating poetic Memoir inspired by a Terence Winch poem
“Around 1966, I was bitten after hours by a standard poodle named Coco. My pediatrician had to make a house call to give me a tetanus shot. I wanted to marry Dr Sokoloff and faked sick all the time so he would have to examine me. I was three. He was James Coburn’s double. I’d seen “Ride Lonesome”; I already knew my future husband would be like a steak at The Palm, a Prime Porterhouse; rough-hewn on the outside, tender underneath.”