The lines, style, curves, and colors all blend to make good art and Brooklyn, New York native Frank Creaturo, Jr. has an extensive artistic career in developing his particular style that you can easily recognize.
He studied at the School of Industrial Art and the School of Art and Design in NYC. Frank has been recognized with countless awards, featured in many newspapers for his works, has had several one man shows and was even spotlighted on Eyewitness News in New York. Frankie has been a contributing artist here at TribeLA Magazine since day one and his work will regularly be featured here. Look for “In Living Color” on the cover of our premiere issue coming this fall.
Enjoy more stories plus fine art by Frankie Creaturo
Review of Sounds and the City “Stormy Weather” by Etta James
Los Angeles’ own late, great Etta James crooned of lost romance and ominous, slate-colored skies. November in Los Angeles is hardly lamentable; Thanksgiving is practically a summer holiday, yet I’m sure many Angelenos…
Everything you need to know about the Panama International Film PanaFest Saturday, 11.4.17 – South Park Center Theatre, Downtown + view clips
In its third year, this all-day event, takes place on Saturday, November 4, at the South Park Center Theatre in Downtown Los Angeles. Panafest began to create awareness of the filmmaking talents in the burgeoning Panamanian film industry.
ART TODAY 11.2.17 ‘Baby Prince’ is born out of “My Alien Abduction” by Leo Garcia, whose career was influenced by the didactic, agitprop
Garcia began his social activism at age sixteen, when his father sent him to work as an apprentice recruiter for a federal VISTA program funded by the Office of Economic Opportunity. Garcia’s job was to assist in the recruitment of high school aged children of agricultural workers from the rural communities of Colorado and to orient them to the real possibilities of achieving higher education.
FRIEZE Los Angeles, Paramount Pictures
ART TODAY 030618 Figurative painter Jennifer Pochinski’s “Nude with Pink Skirt”
Scraping off and painting over works has been a normal part of my studio activities — so much frustration. I could never arrive at a specific method. Since moving to California seven years ago, I realized this struggle with ambiguous starting points and stopping points is painting.