The lines, style, curves, and colors all blend to make good art and Brooklyn, New York native Frank Creaturo, Jr. has an extensive artistic career in developing his particular style that you can easily recognize.
He studied at the School of Industrial Art and the School of Art and Design in NYC. Frank has been recognized with countless awards, featured in many newspapers for his works, has had several one man shows and was even spotlighted on Eyewitness News in New York. Frankie has been a contributing artist here at TribeLA Magazine since day one and his work will regularly be featured here. Look for “In Living Color” on the cover of our premiere issue coming this fall.
Enjoy more stories plus fine art by Frankie Creaturo
Review 2017: Thank you Joe Rocco for letting us into your heart and for sharing your world as a Hollywood Illustrator first, Cartoonist second, with endless possibilities.
Joe Rocco is an award-winning American illustrator and designer with over 27 years experience in editorial publishing and animation. Joe’s work has been centered on Entertainment and Children’s publications and for 7 years he art-directed…
Review 2017: Music is yet another art form of Molly (aka Moollz) Kirschenbaum and being a student at the Clive Davis Institute of Recorded Music affirms just how serious she is about her career.
Moollz transported The Peppermint Club in West Hollywood to a galaxy far west from Los Angeles. Each key she tapped on her keyboard and each note she belted out was made possible by the light and love she exudes.
TribeLA Magazine’s amazing whimsical week with Chris Bonno — Seven things we learned
The week began with Sexy Coco Conan. It progressed with Tomato on the Range as well as delectable Une Paire De Poires (that’s french for pair of Pears). Who doesn’t love Vincent Price; and the Eye of the Agamatto is a treasure indeed.
FRIEZE Los Angeles, Paramount Pictures
Chris Bonno writes about Brett Gilbert, the writer-comedian, father, illustrator, whimsical photographer, poster-ad designer, and oil painter.
I had the privilege, long ago, of seeing numerous paintings done by Brett with oil paint and a series of different sized spoons, in person, in his then small apartment while he was finishing up a few. He was creating spot-on large versions of cereal boxes from the sixties and seventies.