Visual Art

ART & ARTISTS

SHEPARD FAIREY

Shepard Fairey, is an American muralist and graphic artist who first gained attention for creating a sticker with a portrait of the towering professional wrestler André the Giant and the word Obey. Fairey is perhaps best known for his iconic2008 “Hope” poster depicting then U.S. presidential candidate Barack Obama. His work combined street-art activism with entrepreneurial spirit.

JENNIFFER POCHINSKI

Painting for Jennifer is a mysterious process. She loves the paint itself. The application of the loaded brush has a sensuousness that has developed into her personal language, but she still feels like a bystander to this internal world that seems to drive itself thru her unconscious mind.

BRADFORD J. SALAMON

Bradford an American portrait painter that often paints his fellow artists, as well as portrayals of ordinary objects of the past that he imbues with an iconic art status beyond their cultural history.  Bradford is very passionate about the California art scene, curating art shows and documenting fellow artists on film.

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Sandy Bleifer Ikebana
ART TODAY Highlights: The stunning “Ikebana Series” – plus meet Sandy Bleifer Monday, 8.7 for “Penetrating Walls” panel discussion at FM Fine Art Gallery

ART TODAY Highlights: The stunning “Ikebana Series” – plus meet Sandy Bleifer Monday, 8.7 for “Penetrating Walls” panel discussion at FM Fine Art Gallery

I have created artistic interpretations of my own Ikebana arrangements and, as I have done in much of my previous work in other subjects, revealed the distress that persistently undermines our aspirations of beauty and serenity.

Hagop Belian
ART TODAY “Highlights” 08.03.17: Thank you Hagop Belian for opening our eyes to your culture and giving us a view through the Cracks

ART TODAY “Highlights” 08.03.17: Thank you Hagop Belian for opening our eyes to your culture and giving us a view through the Cracks

Born in Damascus, Syria in 1977, Hagop immigrated to the United States with his sister when he was just twelve years old. As a Syrian-Armenian, he is motivated to preserve his culture and share it in a way that challenges stereotypes. While Hagop’s works are eye-catching – even startling – in their surrealism upon first glance, they are very much grounded in reality.

Zion Vista by Erin Hanson
ART TODAY “Highlights” 07.31.17: Zion Vista by Erin Hanson

ART TODAY “Highlights” 07.31.17: Zion Vista by Erin Hanson

The bridge over the Virgin River, in Zion National Park, is a popular spot to catch the beautiful red cliffs and winding river. This painting captures all the drama and magnificence of this amazing vista. The oil paint was thickly applied with a brush, the impressionsitic colors melding together to capture the fleeting light of dawn.

Living Color by Frank Creaturo, Jr.
ART TODAY “Highlights” 07.30.17: Living Color by Frank Creaturo, Jr.

ART TODAY “Highlights” 07.30.17: Living Color by Frank Creaturo, Jr.

It is often difficult to convey the depth, texture, and movement of a painting via photographs on the internet or even in a magazine. The qualities that initially drew us into the painting get lost. However, that is not the case with the artwork of Frank Creaturo, Jr, whose creations appear as rich and fluid online as they do in real life.

Adam Mars with I Love You billboard on LaCienega blvd.
Salient Sunday: Adam Mars lets us inside his Funhouse for a TribeLA Magazine Acrostic Interview

Salient Sunday: Adam Mars lets us inside his Funhouse for a TribeLA Magazine Acrostic Interview

I was raised by chefs so I know how to cook, though I don’t show off my knowledge much. I love prosciutto. My favorite restaurant is Taix in Echo Park.

My family. They allowed me to follow my creative passions and I try not to make them think I made a big mistake.

My favorite painting I made is called The Naughty Doppler. It still amazes me every time I see it.

River Rock Series by Sandy Bleifer
ART TODAY 07.28.17: The “River Rocks Series” by Sandy Bleifer, sharing her art-making methods

ART TODAY 07.28.17: The “River Rocks Series” by Sandy Bleifer, sharing her art-making methods

My work evolves from an inquiry into the nature of my materials, my working process, and the paper itself. What I learn from my media I use as a frame of reference for the real world. The pieces in the River Rocks series express some of the common ground shared by natural processes and my art-making methods.

Hurricane from the Devastation series by Sandy Bleifer
ART TODAY 07.26.17: “Hurricane,” the Devastation series from Environmental Degradation by Sandy Bleifer – watch the video inspired by nature

ART TODAY 07.26.17: “Hurricane,” the Devastation series from Environmental Degradation by Sandy Bleifer – watch the video inspired by nature

The Devastation Series – by representing and replicating natural process on static works of art and juxtaposing the artwork with the processes at work in nature, underscores the current environmental crisis. The video shows how the work was inspired by nature and also imbues the artwork (which endures after the moving images on the screen are gone) with the power and magnitude of what has been revealed.

A small portion of Stone's Stones by Sandy Bleifer
ART TODAY 07.25.17: Another immense Sandy Bleifer art project titled “Stone’s Stones,” using Music as a Structural Model with Carl Stone’s classical musical composition, “Gallery Environment II” (also watch the Making of Stone’s Stones video)

ART TODAY 07.25.17: Another immense Sandy Bleifer art project titled “Stone’s Stones,” using Music as a Structural Model with Carl Stone’s classical musical composition, “Gallery Environment II” (also watch the Making of Stone’s Stones video)

Since I have been a lifetime student of classical music (piano), which involves an understanding of music composition, it occurred to me that musical compositions are built upon patterns of theme and variation. Since that epiphany, I have structured several works on classical music forms.

Graffiti Wall 35 by Sandy Bleifer
ART TODAY 07.24.17 Graffiti 35, 1993 by Sandy Bleifer – Collage by Sandy, Graffiti art by Eric Fisher

ART TODAY 07.24.17 Graffiti 35, 1993 by Sandy Bleifer – Collage by Sandy, Graffiti art by Eric Fisher

Multiple layers of paper were collaged creating two separate structures divided by the chicken wire, which supports the front layer. The many layers of papers and the obliterated graffiti testify to a long history of the wall. Wile the bold graffitii Eric Fisher painted seems to dominate the piece, it has a lot of competition from the wall surfaces.

Paper becoming me by Sandy Bleifer
ART TODAY 07.23.17: “Paper Becoming Me” by Sandy Bleifer – Explore with us this week, the intricate art of this renown artist, her expressive use of paper as a medium and subject, and her favorite food indulgence, a hot fudge Sundae.

ART TODAY 07.23.17: “Paper Becoming Me” by Sandy Bleifer – Explore with us this week, the intricate art of this renown artist, her expressive use of paper as a medium and subject, and her favorite food indulgence, a hot fudge Sundae.

This is one of a series of 15 pieces cast from a plaster of Paris mold of my face in 1985. The series demonstrates the hidden qualities of Hosho, a paper used in Japan for wood block printing, which I discovered is capable of picking up fine detail from the mold when wet, and retaining the form when dry. The rectangular format reminds the viewer of the original sheet of paper and the “paper-ness” of the sculpture.

Love, sex, and eye contact by Molly (Moollz) Kirschenbaum
ART TODAY 07.22.17: Love, sex, and eye contact by Molly (Moollz) Kirschenbaum – with Acrostic Interview in its entirety

ART TODAY 07.22.17: Love, sex, and eye contact by Molly (Moollz) Kirschenbaum – with Acrostic Interview in its entirety

This is my most recent piece. I recently became more open about being queer, and have had a lot of really great conversations with friends about dating and intimacy in the queer community. I also have found that, for myself, my own nervousness and confusion about my sexual orientation, as well as others’ confusion, have fueled some problems in past relationships and in my pursuit of new ones. This piece is meant to kind of represent, from my own personal perspective and experience, the beauty and love of queer connection and intimacy, as well as the difficulty and stress.

Elise, reclining by Molly Kirschenbaum
ART TODAY 07.21.17: Elise by Molly (Moollz) Kirschenbaum – “The body is only a physical house in which we live”

ART TODAY 07.21.17: Elise by Molly (Moollz) Kirschenbaum – “The body is only a physical house in which we live”

I had some left-over sketches of female forms from workshops past, and again decided to use this one to represent a real person. As the body is only a physical house in which we live, I found that painting a person, for me, comes down to the colors and shapes that resonate with them. So while the body is just a random one, these colors represent a childhood friend of mine whom I love with all my heart!