The lines, style, curves, and colors all blend to make good art and Brooklyn, New York native Frank Creaturo, Jr. has an extensive artistic career in developing his particular style that you can easily recognize.
He studied at the School of Industrial Art and the School of Art and Design in NYC. Frank has been recognized with countless awards, featured in many newspapers for his works, has had several one man shows and was even spotlighted on Eyewitness News in New York. Frankie has been a contributing artist here at TribeLA Magazine since day one and his work will regularly be featured here. Look for “In Living Color” on the cover of our premiere issue coming this fall.
Enjoy more stories plus fine art by Frankie Creaturo
United States Youth Poet Laureate Amanda Gorman is an auspicious, Artistic Angeleno
by Natalie Durkin photograph: Courtesy of Black Enterprise Magazine “It’s fantastic to be a poet in L.A., and to be an Angeleno.” That’s right, our country’s chosen wordsmith is one of our city’s own. Amanda Gorman was born near Los Angeles International Airport,...
“Penetrating Walls” Monday evening, August 7, 2017 – Sandy Bleifer’s panel discussion at FM Fine Art Gallery (834 N. La Brea Ave., L.A.) or watch LIVE on facebook
Penetrating Walls panel discussion will be a thoughtful discourse on the concept of walls, barriers and breaking through or breaking them down… and the possibility of avoiding them completely.
ART TODAY Highlights: The stunning “Ikebana Series” – plus meet Sandy Bleifer Monday, 8.7 for “Penetrating Walls” panel discussion at FM Fine Art Gallery
I have created artistic interpretations of my own Ikebana arrangements and, as I have done in much of my previous work in other subjects, revealed the distress that persistently undermines our aspirations of beauty and serenity.
ART TODAY 020818 Axe by Alexandra Dillon: Passive aggressive behavior or edgy personality
Her portraits on worn paintbrushes are especially charming, however, her work on other found objects, such as axes, cleavers and locks, is more provocative. “The portraits on tools are complex,” she says. “They’re about inner motivations, personal relationships and powerful emotions. They are intended to make you think.”







