The lines, style, curves, and colors all blend to make good art and Brooklyn, New York native Frank Creaturo, Jr. has an extensive artistic career in developing his particular style that you can easily recognize.
He studied at the School of Industrial Art and the School of Art and Design in NYC. Frank has been recognized with countless awards, featured in many newspapers for his works, has had several one man shows and was even spotlighted on Eyewitness News in New York. Frankie has been a contributing artist here at TribeLA Magazine since day one and his work will regularly be featured here. Look for “In Living Color” on the cover of our premiere issue coming this fall.
Enjoy more stories plus fine art by Frankie Creaturo
Three Rooms Press and Beyond Baroque Present LA DADA: Performance and new book release with Linda J. Albertano, S.A. Griffin and more…
Linda Albertano, Arlondriah Lenyea, Heather Rabun, Glenn Rodriguez We caught up with Linda Albertano to get the low-down about DADA, what it means, what it does, how she became a DADAist, and the theme of this year's new LA-DADA book release (Maintenant11) MAINTENANT...
The Mixed Remixed Festival on June 10th, Downtown-LA celebrates stories of multiracial Americans and families, the fastest growing demographic in the U.S.
Globalization and multiculturalism is not just foreign policy or trendy fusion restaurants; for a growing number of people, it is in their DNA. Reconciling two cultures can be nearly effortless, but for most it takes years of introspection and struggle to find a balance that works. All mixed relationships and individuals are the sum of its parts, and this collective mixed experience of accepting two cultures, learning to connect these puzzle pieces, and creating a cohesive identity is what binds these individuals together.
A political filmmaker’s swan song chronicles a haunting close to an artist’s life
When film publicist Sasha Berman sends something over, we pay close attention to her indie films, which have artistic characteristics different from U.S. films — a certain rawness. They are culturally based, provative, and the subtitles give the film an even more intriguing perspective, as we found it so with her most recent premiere, AFTERIMAGE. Los Angeles Times film critic Robert Abele had this to say:
Andrzej Wajda’s “Afterimage” feels vividly connected to the Polish auteur’s beginnings, yet also acts as the kind of haunting close that sums up a life.
ENCORE of ‘American Alien,’ culturally abducted and appropriated from “My Alien Abduction” by Leo Garcia – Get link to entire story and exhibit
My Alien Abduction is Garcia’s pursuit to recover that which was taken from him … from a culture and a people. He does this through the manipulation of a digital program that in and of itself is a device of appropriation.







