A political filmmaker’s swan song chronicles a haunting close to an artist’s life

A political filmmaker’s swan song chronicles a haunting close to an artist’s life

When film publicist Sasha Berman sends something over, we pay close attention to her indie films, which have artistic characteristics different from U.S. films — a certain rawness. They are culturally based, provative, and the subtitles give the film an even more intriguing perspective, as we found it so with her most recent premiere, AFTERIMAGE. Los Angeles Times film critic Robert Abele had this to say:

Andrzej Wajda’s “Afterimage” feels vividly connected to the Polish auteur’s beginnings, yet also acts as the kind of haunting close that sums up a life.