FILM

ART TODAY 07.07.17: Steve Martin from the Jerk poster by Chris Bonno

ART TODAY 07.07.17: Steve Martin from the Jerk poster by Chris Bonno

This is a recent piece I did of Steve Martin from the poster for the Jerk, for an old friend. It is a perfect example of the extreme jump from one form of painting to another. On the one hand, the end goal of a detailed likeness (and doing a good job of it) to the freedom of creating shapes and using color without that particular pressure, just the joy of it AND the goal to do a good job of it (still considering the formal issues of the aesthetics of abstracts from what little I know of art history). I’m still informally a student of it.

ART TODAY 07.06.17: “Eye of Agamatto” by Chris Bonno inspired by Marvel’s Dr. Strange

ART TODAY 07.06.17: “Eye of Agamatto” by Chris Bonno inspired by Marvel’s Dr. Strange

To make the abstract (which is around 24″ x 36″), my rule of thumb is to do my best to make the colors and shapes somehow “fit” organically without giving in to the desire to make the shapes and forms “representational,” I inevitably will see things that resemble objects or familiar images. Some of those I may allow to stay in the final depending on how they work together with the rest of the piece.

The Intergalactic and Intuitive Moollz

The Intergalactic and Intuitive Moollz

I was at Urban Outfitters on Ventura Boulevard with a friend last spring when I ran into Molly Kirschenbaum. Warm, inviting, redheaded, and smiley, Molly, out shopping with her mom, was just a normal teenaged girl. But not to me.

Molly is a musical artist, known as Moollz. Before that encounter, I would often play her EP, Moon Fruit, because it took me out of the suburbs and to another galaxy with its trademark synth and Molly’s mesmerizing, inviting melodies.

ART TODAY 07.03.17: Une Paire De Poires by Chris Bonno

ART TODAY 07.03.17: Une Paire De Poires by Chris Bonno

Playing with shapes and colors, Bonno chuckles when he explains to Janice Bremec Blum that he loves the “f…k it factor.” Basically, that means going mad in his own world and giving himself permission to be loose. That freeing spirit is found in all of Bonno’s work. “I don’t leave a painting until I believe in it” he says, “until it impresses me.”

A political filmmaker’s swan song chronicles a haunting close to an artist’s life

Recommended Stories

GET IN TOUCH

We are happy to hear from you!

12 + 13 =